Note: This is the final installment of a three part series reviewing New York Times Bestselling Author Gillian Flynn’s current releases.
My Rating: 4 out of 5 stars
On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears from their rented McMansion on the Mississippi River.
Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy’s diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge. Under mounting pressure from the police and the media–as well as Amy’s fiercely doting parents–the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter–but is he really a killer?
As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn’t do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet?
There’s little more I can say about Gone Girl that hasn’t already been said. I was engaged from the first page, and as the story unfolded, I was more and more awestruck with the tight weaving of the tale. I won’t spoiler anything in my review, but let me just say that I loved and hated both main characters multiple times as the novel progressed. Even now that I’m finished, I love and hate both of them.
Certain people are unhappy with the world. It’s like they’re born hating their very existence, perplexed why they’re here, and angry that they are being asked to live. This is who I think the book is about: Someone whose soul was tainted before they proceeded to this earth. That, quite frankly, is fascinating to me and always has been. And I will never get enough of books and movies and television shows about those kinds of people.
Before reading this, I had heard the term “unreliable narrator” applied to the book. That’s not precisely what we’re dealing with, at least not the Holden Caulfield definition. Instead, it’s unreliable storytelling, secrets within secrets, lies by omission and painting reality a certain way, all for a reason. And that reason is to make you feel about the characters. And that’s what makes me love it.
While I like speculative fiction, I like dark, thinking books more. This one definitely fills both those criteria. After I read this, I decided I was going to pick up Gillian Flynn’s other two books and devour them as quickly as this one, though I posted my reviews in the order she published them. That was my fabulous Christmas break 2013–and there’s no question in my mind as to why she’s a New York Times Bestselling Author.