Title: Somebody Tell Aunt Tillie She’s Dead
Author: Christina Miller
Genre(s): Adult Urban Fantasy
How To Purchase: Kindle
My rating: 3 out of 5 stars
A little magic can go a long way — to really screwing up a girl’s life!
Mara is having the worst month of her life. At least, that’s what her cards tell her and they’ve never been wrong. She’s evicted from her apartment, loses her job and is banned from Beverly Hills. So when the tarot cards predict her imminent demise, she uses a little magic to make her world right.
Suddenly, an aunt she’s never met dies, leaving Mara as her sole heir. But when Mara moves into her inherited home, she discovers Aunt Tillie never moved out. She’s still one pissed-off old lady, even post-mortem, and she blames Mara’s magical meddling for her death.
When Mara accidentally releases a demon and awakens the spirit of the most powerful witch in history, Tillie’s ready to kill her — literally. It’s the only way she can think of to save the girl from herself. The witch and the demon, however, have other plans for Mara’s body.
Another one of my Bookbub finds, Somebody Tell Aunt Tillie She’s Dead is not quite as good as I had hoped it would be. Written with an engaging voice, the story is interesting but meandering.
I’m going to get technical here for a moment. Novels have a certain structure, which you can learn in a novel-writing class or one of the thousands of books written on the subject. Certain things need to happen at approximately a certain percentage through the story, or it comes out feeling like the story is going on for way too long or is way too rushed. Unfortunately, this novel drags on in the beginning and then rushes through the ending.
All of Part One should have been chopped down to only a few chapters and much of the back story cut. Part Two has an abrupt shift halfway through it, the tone going from light and airy and goofy to somewhat dark and sinister. Then the ending, the big fight with the malevolent spirit that wants to take over Mara’s life, is packed into too few chapters. The result is that the book feels inconsistent and messy.
The good thing about it, though, is that I really enjoyed the main character Mara. Her voice was interesting, her perspective and knowledge of Pagan rituals, and her earnest discussion of the supernatural goings-on was endearing. Except for her fear of rodents, she was pretty brazen and unflinching in the face of all this trouble.
I can’t say the same for her best friend, Gus. I’m sure Ms. Miller was attempting to create a sassy, fun gay California man, but to me, he was a complete jerk. He insulted Mara’s weight, made fun of her lack of boyfriend, and when she was being evicted from her apartment in an unfair situation, never once offered to help her, instead picking on her throughout. I was pleased when Part One was over and I didn’t have to put up with his jackassery any more. Mara, honey, you deserve respect, and you can do so much better than being a hag to nasty old Gus.
If you’re looking for something different in the paranormal vein and don’t mind some of the foibles of a disjointed-feeling book, I would suggest Somebody Tell Aunt Tillie She’s Dead. The detail about witch accouterments and rituals is fascinating in and of itself–perhaps even worth wading through Gus’s terrible attitude.